Films

All films

Explora 2

Teatro Principal

Length: 67m 04s

Wasteland No. 1: Ardent, Verdant

Wasteland No. 1: Ardent, Verdant

Jodie Mack

  • 2017
  • 04:10
  • USA
  • EXP
  • COL

A eulogy for wasted potential sends the out of date to the out of body: trash to treasure. An appetite for destruction charts the product life cycle, interrupting the horizon through an intersection of perspectives.

Spanish premiere

Answer print

Answer print

Monica Saviron

  • 2017
  • 04:50
  • USA
  • EXP
  • COL

"The fading that devastates color films occurs in the dark. It is accelerated by high temperatures and, to a lesser extent, relative humidity. Dye fading is irreversible. Once the dye images have faded, the information lost cannot be recovered"—Image Permanence Institute

Everything Turns...

Everything Turns...

Aaron Zeghers

  • 2016
  • 12:31
  • Canada
  • EXP
  • COL

Everything Turns... is an open investigation into number mythology on Super-8 film. Long exposures and various animation techniques process and restructure the science behind it. This results in a type of almanac of time, space and place that humorously references Hans Richter.

Galician premiere

On generation and corruption

On generation and corruption

Takashi Makino

  • 2017
  • 26:00
  • Japan
  • EXP
  • COL

"Inspired from Aristotle’s On Generation and Corruption. After the screening at Athen (In Mute Festival 2015), I had important conversation about Aristotle with one of old lady from audience. We talked about materiality of Cinema. We also talked about the construction of cinema itself already has similarity of life and time. Cinema never exist. They just keep doing Generation and Corruption. The situation is also similar with the construction of life and civilization. Then I decided shooting this film. 
All of images were shot in Japan. Image will continue to repeat the appear and disappear like a infinity spiral". 

Galician premiere

Distortion

Distortion

Lydia Nsiah

  • 2017
  • 04:40
  • Austria
  • EXP
  • COL

Distortion uses the aesthetic potential of digital encoding techniques on the basis of found avant-gardistic and ephemeral film footage. Since the films are copy-protected, their digital reproductions are encoded. By copying the moving images they become transformed into distorted forms and patterns, which are condensed by Nsiah’s rhythmic montage and distilled by Billy Roisz’ soundtrack.

Spanish premiere

I don’t think I can see an island

I don’t think I can see an island

Christopher Becks, Emmanuel Lefrant

  • 2016
  • 04:22
  • France
  • EXP
  • COL

Based on footage shot on a shared vacation, two filmmakers and long-time friends finally make a film together and embark on a symbolically authentic non-Euclidean adventure.

Galician premiere

Pattern language

Pattern language

Peter Burr

  • 2017
  • 10:31
  • USA
  • EXP
  • B/W

"Pattern Language" is a term coined by architect Christopher Alexander to quantify the aliveness of certain human ambitions through an index of structural patterns. Some advocates of this design approach claim that ordinary people can use it to successfully solve very large, complex design problems. In this film, highly organized and richly layered patterns move in accordance with audio frequencies and rhythms, towards the construction of an endlessly mutating labyrinth.

Spanish premiere